Journal

FILM / PRODUCTION

From stage to screen.

El vals sin nombre, the visual world of Magic Hour and the documentary perspective of Señorías.

FANTASY / PRODUCTION

El vals sin nombre

A short film by Felipe Giuliano, produced by Madrid Produce and The Other Film Production. Its fantasy world brings together performance, production design and visual effects.

Shot entirely on green screen and developed with in-house resources, the project places image-making at the heart of the process. The world on screen takes shape beyond the set, requiring production to connect the shoot with the digital work that follows.

Bruno G. Arantes and David Torres are the producers, with cinematography by Cristina Calatrava, art direction by Amy Valen and a screenplay by Javier Santolobo and Elisa Puerto Aubel.

Explore the video, poster and full credits
Original poster for El vals sin nombre
Original poster · Madrid Produce archive.

Awards in Malta and London

El vals sin nombre received the Best Film, Best Cinematography and Best Art Direction awards at Malta Short Film Festival 2024. Its international journey also includes a winner laurel from Dreamers of Dreams 2025 in London.

Dreamers of Dreams · Winner · 2025
Dreamers of Dreams · Winner · 2025
Malta · Best Art Direction · 2024
Malta · Best Art Direction · 2024
Malta · Best Cinematography · 2024
Malta · Best Cinematography · 2024
Malta · Best Film · 2024
Malta · Best Film · 2024

Award laurels preserved from Madrid Produce’s original website. The Dreamers of Dreams laurel does not specify a category.

A film finding its audience

Its festival journey includes FILMETS Badalona Film Festival, Festival de Cine de Madrid FCM-PNR, Origen and Dreamers of Dreams. Follow the film through festival programmes and selection announcements below.

Dreamers of Dreams · Winner 2025FCM-PNR · official selectionMalta Short Film Festival

The FILMETS perspective

In its 2024 dossier, FILMETS highlights the film’s production design, period setting and gothic, fantastical atmosphere. It also draws attention to the waltz by Anaél and Sufián Cantilo and the power of its dreamlike settings.

Festival programming commentary. Read the original text · pp. 165 and 185–186

VISUAL DEVELOPMENT / PRE-PRODUCTION

Magic Hour · Hora Mágica

Cinema also begins before the shoot. For Hora Mágica, a project by Eugenio Zanetti, Madrid Produce worked on plans and concepts for pre-production.

The development images offer a glimpse of that world: a lagoon between rock walls, a monumental staircase, a greenhouse populated by visual references and characters. These working compositions explore space, scale and atmosphere—a window into the stage when a film’s world begins to take shape.

Visual concept of a lagoon between rock walls, with a gondola
The lagoon · visual development material for Hora Mágica, a project by Eugenio Zanetti. Madrid Produce archive.
Staircase at the end of the world
Staircase at the end of the world · development composition, Madrid Produce archive.
The greenhouse
The greenhouse · development composition, Madrid Produce archive.

DOCUMENTARY / CO-PRODUCTION

Señorías

Madrid Produce’s film work also includes co-producing Señorías, a documentary short directed by María Guerra. A different approach to the moving image, through documentary filmmaking.

Explore the SEMINCI film page
Señorías · María Guerra
Still from Señorías · source: SEMINCI
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